CRITICAL STUDY GUIDELINES

Follow the guidelines below in order to cover all the points you need:

  • NAME of ARTIST, date of birth, death, nationality. You should write a brief background about the artist to include the main events in their professional and personal lives.
  • List the TITLE of the art work, and the date it was completed
  • Say why you have chosen this example. In what ways does it relate to your chosen theme or focus?
  • SUBJECT MATTER – Describe the piece of work.

Use descriptive and evocative vocabulary to communicate what you see. 

  • What is in the artwork / image, what can you see?

(Try to use words and references to background, mid-ground, foreground). 

  • Look at the subject matter chosen by the artist. Describe the ideas and messages it communicates and how it communicates them.
  • What has the artwork / image been produced for?
  • Analyse the composition of the artwork / image.

How have the things that are in the artwork been arranged, composed, put together? (Consider the formal elements, focal point, devices to lead the viewer’s eye around the artwork / image. Discuss the arrangement of the composition).

  • Who would be the intended viewer / audience of the artwork?
  • METHODS and MATERIALS – what sort of media has been used – paint, pastel, collage, charcoal, 2D / 3D media and techniques, etc? Describe how it has been applied / manipulated? Thickly? Thinly? Is it roughly or smoothly applied?
  • LINES, MARKMAKING, PATTERN – describe the techniques used – use appropriate technical language – thick, thin, hatching, etc.
  • COMPOSITION, SCALE – describe using appropriate vocabulary / words – focal point, devices to lead the viewer’s eye around the picture – curves, directional lines, etc., enlargement / zoom-in, verticals / horizontals, etc.
  • TONE – identify the light / dark areas – say how the tone has been used to give depth, distance, shape (3D), impact, emphasis.
  • COLOUR – use descriptive language to describe the colours used and any colour relationships – primary, secondary, complementary, harmonious, etc.
  • TEXTURE – either actual or implied surface texture. How has this been achieved?
  • YOUR PERSONAL OPINION AND OBSERVATIONS – what you think about the work and why? This can be worked into your analysis as you go along using examples to illustrate your ideas.